The Atlas Complex by Olivie Blake is the highly anticipated final installment of The Atlas Six series, featuring six powerful young magicians who have given up everything to come study with Atlas Blake and have access to the archive. In the last book, part of the initiation ceremony was killing one of their cohort, which they did not do. They are each out in the world, and basically on the run from a rival organization called the Forum. At the same time, they are looking to reconvene and see if their theories on the nature of time and the metaverse are accurate.
This book is a tangled web of alliances, betrayals, friendships and sacrifices. The dark forces at play are sometimes from within their group and sometimes from outside it. They all have ambition but their loyalties are always shifting. They have paired up in unexpected ways in this novel.
The Atlas Six series is a great work of speculative fiction. It’s layered with complex characters, interesting moral questions, and promises a final showdown that demonstrates the power these six wield. It wasn’t my favourite of the three book but it was worth the read.
If you loved the morally complex world of The Magicians or the intricate power plays of the first two books in the Atlas Six series, then you’ll enjoy this one too. The finale rewards fans with closure but leaves enough of the door open for you to imagine alternative endings or a continuation.
Prior to embarking on my Dune audiobook journey, I had little knowledge of this epic tale or its film adaptations. I have to say Frank Herbert’s masterpiece is worth the read. Dune is an intricate saga of struggle, legacy, resource management, and greed. At its core are Paul Atreides and his mother, Lady Jessica, who are deeply trained in the Bene Gesserit ways of reading people’s intentions and, for Paul, seeing possible visions of the future.
The story unfolds with the assassination of Paul’s father, Duke Leto, who knowingly walks into a deadly trap laid out by the treacherous Baron Harkonnen and the Emperor. The trap draws the Atreides family from their lush home world of Caladan to the arid desert planet of Arrakis, a land rife with giant sandworms and deadly storms. This harsh new environment is the sole source of the universe’s most valuable substance: the spice drug melange. Leto knows he’s being played but believes that the natives of Arrakis, the Fremen, are a worthwhile ally and that they can work together to solve the planet’s problems and form a better relationship with the Emperor. But, plots within plots and deep mistrust define the relationships between the various factions vying for control over the spice trade.
After the assassination of Leto, Baron Harkonnen puts his nephew in charge of Arrakis and is grooming another nephew to take over his place. Paul, the rightful ruler, narrowly escapes death and hides out in the desert with his mother Jessica. Paul and Jessica’s story aligns with a Bene Gesserit legend and the Fremen hiding them believe they are the ones spoken of in the legend. Paul may be destined to be the planet’s saviour, but as the narrative progresses, the line between hero and potential tyrant blurs.
The story is mostly told from Paul’s perspective but there are several passages recited by Princess Irulan, the eldest daughter of the Emperor. The excerpts from her journals and published works offer insight into the world of Dune, the Bene Gesserti way, and the legend of Paul, or Muad’Dib — the name adopted by Paul after he was accepted by the Fremen as one of their own.
In many ways the Bene Gesserti teachings act as a religion or yogic practice.
“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past, I will turn the inner eye to see its path. Where the fear has gone, there will be nothing. Only I will remain.”
This mantra, recited by Paul, encapsulates the essence of his training and the mental fortitude required for him to survive and thrive on Arrakis.
Yet Paul and Jessica’s abilities to perceive and influence the future also raise fascinating philosophical questions about destiny and free will. I find myself thinking about elements of this book more than I thought I would.
I love reading, but listening to Dune was excellent. The narration and sound effects expertly draw you into the world and add depth and dimension to the story. It’s also not surprising that the themes of Dune are as relevant today as they were when the book was first published in 1965. The struggle for resources, the dynamics of power, and the complexities of leadership and legacy resonate with the political struggles we see today. This is a story about colonialism, Imperialism, violence, and ecology.
The political intrigue and the multilayered conspiracies make for complex world-building equal to that of StarWars and Lord of the Rings. Herbert’s detailed descriptions paint a vivid picture of a desert planet and its original inhabitants and the tensions with its colonizers. The presence of the formidable sandworms and the harsh, stormy environment of Arrakis add to the sense of awe and danger that permeates the story.
I left the book wondering about Paul. He begins as a sympathetic character, yet his journey raises questions about the corrupting influence of power. Herbert leaves it unclear if Paul remains a hero or if he has succumbed to the very forces he sought to overcome. This ambiguity appeals to me, and it gives the novel a depth that’s missing from the binary good-evil of the StarWars series. I think there’s more to reflect on here about the nature of leadership and morality.
If you enjoyed the intricate political maneuvering and epic scale of Star Wars or the fantastical world-building and complex characters in the Wings of Fire series, then Dune is a must-read. Its blend of science fiction, adventure, and profound thematic exploration makes it a timeless classic.
Dune is available on Audible and through Libby, or from any one of Canada’s lovely independent bookstores (oh, yes and Amazon).
And if you’re interested in a deeper look into politics, ecology and what was happening in the 60s when this book was published, give this essay a read.
The Atlas Six by Olivie Blake is a BookTok fav that I heard about in a BookNet Canada webinar. Olivie Blake totally delivers! I can see why early fans were so enthusiastic and why Tor picked up this self-published novel and re-issued it.
The six are a group of medeians (magicians) handpicked by Atlas Blakely for initiation into the Alexandrian Society, a secret society that protects the assumed-destroyed works of the Alexandrian Library.
TV show Survivor meets Harry Potter? Atlas is the reality show host?
Six are chosen to spend a year at the library in a sort of fellowship. But only five can be initiated into the society and continue on with their studies. Atlas (also a telepath), and his colleague Dalton (animator), act as the program director and esteemed professor.
The six are chosen for their outstanding abilities. Libby Rhodes and Nico Ferrer de Varona are physicists, or rather they can manipulate physical space. They are highly competitive and their love/hate relationship is clear from the beginning. Reina Mori is a Gaia (Mother Earth) figure. She can breathe life into plants, but she’s reluctant to use her powers because it’s draining. Tristan Caine can see quanta. Basically magic is visible to him. Callum Nova is an empath, a manipulative one. He can sense people’s emotions and make them feel things, which in turn makes them act according to his wishes. Parisa is an incredibly beautiful telepath. She uses her powers to seduce people into doing her will. So three with physical powers, two with mental powers, and one who can see power.
The novel is full of secrets, betrayals and seduction. Everyone is seeking power in different ways, so perhaps it’s also about greed. I loved how the story unfolds like a puzzle. Each of the characters can only take out certain books from the library. In many ways as readers we are limited in our access of understanding too.
Absolutely intriguing story.
The Atlas Six is perfect for readers who like the mystery of secret societies, the drama of relationships that unfold in intense situations, and the magic of physics, space, and time.
El is in her penultimate year at the Scholomance. The Scholomance is a bewitched school that educates young sorcerers on the fine art of surviving mals (incredibly hungry monsters that hunt magical beings).
El is not well liked. She sounds like the goth girl in high school that was rude to everybody. She’s the kind of girl who wants friends, yet can’t get passed being betrayed too often by people close to her. The problem is that the only way to really survive mal attacks is to work together. Sorcerers who graduate (aka survive) the school tend to live in enclaves (closed communities who protect each other).
Well turns out Galadriel (El) is an all-powerful wizard who is trying to hide her powers because they are mostly the evil-doing, super dangerous kind. Some kids at the school are really good at making things, others are good at forming protective spells. El is good at bringing down reins of terror. Her grandmother’s prophecy says that El is a burdened soul and will bring death and destruction to all the enclaves in the world if she isn’t stopped. Oops. Well good thing she’s the daughter of a well-loved healer. El is working hard to fight against the prophecy. She’s does things by the book in order to not turn evil. She fights against her powers by thinking through every little spell (her powers are a bit like asking a genie for a wish in that she’s going to get the evil outcome of a spell vs. the benign one her classmates might get).
El is used to doing things on her own. But damn it all if Orion Lake won’t stop running around the school saving everyone from mals, including her.
If El is the goth girl then Orion is the football hero. Of course they are destined to be friends. But that path is full of painful laughs.
Sweet Valley High or Archie meets Harry Potter and the X-Men?
A beautiful story about belonging, friendship, and home.
TJ Klune deserves all the accolades this book has received and more.
A NEW YORK TIMES, USA TODAY, and WASHINGTON POST BESTSELLER
A 2021 Alex Award winner
The 2021 RUSA Reading List: Fantasy Winner
An Indie Next Pick
One of Publishers Weekly‘s “Most Anticipated Books of Spring 2020”
One of Book Riot’s “20 Must-Read Feel-Good Fantasies”
Lambda Literary Award-winning author TJ Klune’s bestselling The House in the Cerulean Sea is considered his breakout contemporary fantasy — “1984 meets The Umbrella Academy with a pinch of Douglas Adams thrown in.” (Gail Carriger)
I am happy to read more from this author. The story is cheeky, magical, and funny (yet somber at times).
Linus Baker is a caseworker with DICOMY, the Department in Charge of Magical Youth. Imagine a caseworker who shows up at places like the X-Men school. But then add the layer of ridiculous bureaucracy.
Linus is full of reports. He sits at a small wooden desk, Row L Desk 7, in a room with 26 rows with 14 desks in each row. It’s stifling. No personal items. No talking. The threat of demerits.
Then one day he is summoned to the fifth floor, Extremely Upper Management, and assigned to a highly classified assignment: visit a far-gone orphanage where only the children with the most dangerous powers are kept. Gulp.
Linus meets a female garden gnome, a sprite, a wyvern (winged creature), an unidentifiable green blob, a were-Pomeranian, and the Antichrist.
There are so many great moments in this book where Linus is struggling with his interior monologue (all fear based) and what actually needs to come out of his mouth (words of support and encouragement). In the quote below he has been dragged on a forest adventure with the children. The son of Lucifer is in charge today. He’s six.
“Okay,” Lucy said, stopping at the edge of the trees. He turned back toward the group, eyes wide. “As you all know, there is an evil sprite—”
“Hey!” Phee cried.
“Lucy, we don’t call people evil,” Arthur reminded him as Theodore settled on his shoulder. “It isn’t polite.”
Lucy rolled his eyes. “Fine. I take it back. There is a murderous sprite…” He paused, as if waiting for any objections. There were none. Even Phee seemed gleeful. Linus felt the point had been missed entirely, but thought it wise to keep his mouth shut. “A murderous sprite who has a treasure hidden deep in the woods that is ours for the taking. I cannot promise your survival. In fact, most likely even if you make it to the treasure, I will betray you and feed you to the alligators and laugh as they crunch your bones—”
“Lucy,” Arthur said again.
Lucy signed. “It’s my turn to be in charge.” He pouted.
chapter 10
Linus’ job is to report back to Extremely Upper Management on the house manager Arthur and the children’s welfare. He’s to recommend either it stays open or not. What he finds is a home full of magic—the fantasy kind and the kind that’s fostered by love.
This is a fairy tale for adults and any kid wise enough to understand the nuances of prejudice.
Meg, her twin brothers, and her baby brother Charles Wallace are desperate to hear news of their father. He’s disappeared and although Mother is keeping it together for the sake of the kids, they all know she’s upset.
The answers come on a dark and stormy night in the form of Calvin, the neighbour, and three witches (women? spirits?): Mrs Who, Mrs Which, and Mrs Whatsit.
Seems that father and mother have been experimenting with space and time travel, and the 3 Mrs’s are experts in it. They take Meg, Calvin, and Charles Wallace into another dimension to rescue the dad.
Perfect for fans of Alice in Wonderland and The Wizard of Oz.
The Poppy War is the first instalment in a Chinese-history inspired epic fantasy about empire, warfare, shamanism, and opium.
Rin is a war orphan living in the south part of the Empire, well away from the ruling class in the north. She means nothing to her guardians, who are quite happy to sell her off to a local official in exchange for him turning a blind eye to their illegal opium trade. Rin has other ideas.
Actually only one idea.
Rin convinces the local tutor to help her study for the Keju, the Empire-wide test to find the most talented youth who are then taught in the Empire’s elite military academies. Rin needs to score high in order to get into Sinegard, the most elite military school in Nikan, and the one that will give her free tuition.
As you can imagine, this all comes to pass. Rin’s next battle is against her classmates. She is discriminated against for her dark skin and southern accent. She is belittled for having no martial arts training, for being poor, for being female. But Rin is a fighter and she prevails against all the odds and becomes one of the top students in the school. Just in time to go to war.
This is a novel about tapping into your own powers and being brave. But it’s also about the xenophobic storytelling that informs how people treat each other. Kuang offers readers a rich fantasy, informed by 19th-century colonialism, Chinese history and its shamans and gods. The costs of war are at the forefront of the story and violence plays out in each part of the narrative, from Rin’s war-orphan childhood to the dehumanizing war-time experiments on civilians and soldiers.
There is blood and gore, so it’s not great for sensitive readers. I purchased my copy at Kidsbooks in Vancouver and they emailed to say they were moving from their teen section to adult. That said, I think a mature reader will enjoy the fantasy and also give pause to think about the history informing the novel.
Perfect for fans of Lord of the Rings or Do Not Say We Have Nothing by Madeleine Thien.
Description: Neverwhere is one of NPR’s top 100 science fiction and fantasy books of all time. For good reason. It was published in 1997 and over the years various versions have been produced for tv and radio. But the edition I read is the author’s preferred text. It’s a bit meandering but certainly makes some of the other versions feel a tad watered down.
The general story is that Richard Mayhew is a young businessman. He’s left Scotland to make his life in London. He’s happened, by chance, into a relationship with Jessica, who is a serious powerhouse and believes she can make him into the man of her dreams. Richard is a drip. En route to a very important dinner, the recently engaged couple have their plans thwarted when they come across a street girl who is badly injured. Richard insists on being a good Samaritan, which pisses off Jessica. She leaves in a huff and later calls off their wedding. This is all inconsequential to Richard who finds himself so deep in shit that a pissed off fiancee is the least of his worries. The girl Richard helps is from the London underworld. She’s undead or whatever would best describe someone who has been alive centuries. And it so happens that she’s being chased by assassins, creepy, creepy assassins. The Marquis de Carabas, Hunter, the girl Door (who is the noblewoman Lady Door), and Richard Mayhew embark on a quest to find who killed Door’s family and who is after her. There’s magic, misgivings, murderers, angels, and a whole world under London that is richer (and smellier) than Richard can even imagine. There’s even a night market held in Harrod’s, but London Below is such a different place than London Above. If Richard is noble enough, he might be able to return to his life. In the meantime, he’s going to die trying, maybe literally.
Favourite Moment: There are a ton of great moments with Richard, and the Marquis de Carabas is one of my favourite characters, but early on there is a little moment that perfectly depicts Jessica.
Jessica stood there on the sidewalk, watching him ruin her big evening, and her eyes stung with tears. After a while he was out of sight, and then, and only then, did she say, loudly and distinctly, as unladylike “Shit,” and fling her handbag as hard as she could onto the ground, hard enough to scatter her mobile phone and her lipstick and her planner and a handful of tampons across the concrete. And then, because there was nothing else to do, she picked them all up and put them back into her handbag and walked back down to the restaurant, to wait for Mr. Stockton.
Later, as she sipped her white wine, she tried to come up with plausible reasons why her fiancé was not with her, and found herself wondering desperately whether or not she could simply claim that Richard was dead.
“It was very sudden,” said Jessica, wistfully, under her breath.
Perfect for fans of … well of Neil Gaiman obviously. But otherwise, if you like radio plays, fantasy, science fiction, bizarre plot twists, Tim Burton, this is for you.
