Plain words, uncommon sense

Category: Book Reviews (Page 39 of 40)

Made to Break Makes the Globe and Mail

Heather Menzies, author of No Time: Stress and the Crisis of Modern Life, wrote a very positive review of Giles Slades’ book Made to Break in Saturday’s Globe and Mail. She starts by saying “Giles Slade has produced a riveting piece of cultural history to explain the veritable mushroom cloud of electronic waste threatening our planet, while hinting suggestively at why the public seems so detached from the crisis and even its role in creating it.”

She goes on to give a great summary of the narrative path Giles takes through consumer obsolescence: paper shirt fronts, the Yankee (a cheap pocket watch that ran for a limited time), razor blades, rubbers, santitary napkins, Flapper-era extravagance, seasonal fashion, yearly automobile model changes, death dating components, cell phones, tvs, bikinis, and basically all the things we’ve invented that generate more and more waste.

One of Menzies’ best observances of Made to Break is that “it’s troubling enough to consider that planet-exhausting and even planet-poisoning obsolescence is implicitly institutionalized at the highest levels of business and government leadership in the United States” (I’d include Canada, Great Britain and the rest of the first world) but “more troubling still is how we, the general consuming pulic, are wrapped up in it in a way that almost guarantees we won’t sense the connection.”

Al Gore’s film An Inconvenient Truth forces its audience to look at the connections between human activity and global warming. Giles Slades’ book Made to Break forces its audience to remember all the times that greed and economics have trumped responsible citizenship. The throwaway culture we live in means that we love the new iPod, the new Nokia phone, HD tv, we want and demand more, smaller, faster, better, but to what end.

We’ve allowed, in fact encouraged, shorter and shorter life cycles for products, to the point where it has become cheaper to produce something new rather than to tear down, re-purpose or recycle the old. The economics of our creativity has meant good things for business but bad things for the planet.

If you’re into saving the world, consider the reasons why you’ve bought a new car, a new computer, a new cell phone–at what point did we start accepting such rapid obsolescence of products?–but also consider how often you buy new shoes, new pens, new razors, new boxes of cereal, anything that is packaged and which gets thrown away.

The idea is to move from the ethic of discarding to the ethic of durability. Our challenge is to encourage advancement and innovation while not contributing to landfills. Can we do it?

Made to Break Needs a Break

Made To Break is the best non-fiction book that I’ve read this year. At the moment I’m learning about the history of FM radio.

I was just going on and on about the book this morning with my carpool buddies. Then in a moment of thematic convergence I received an email from the author this morning.

Made to Break has gone into a second printing, which is fantastic. And two Sundays ago it was excerpted in the Toronto Star. But basically, the American media is picking up the book and writing stories about it, but not the Canadian media, which is a sad thing because the author Giles Slade is Canadian. I wonder if it’s because the book was published by an American publisher or what the deal is.

I want to help Giles because he is a friend of a friend, but mainly because this is an amazing book. I think it perfectly coincides with other media events going on right now: World Urban Forum and Gore’s film An Inconvenient Truth.

Here are the reviews so far. If you were a publicist or the media hound for this book, what would you suggest to get more people buying the book and more attention in Canada.

Reviews of Made To Break:
sfgate.com

www.playboy.com

www.chicagotribune.com

www.chicago.us.mensa.org

www.booklistonline.com

Op-eds:
www.csmonitor.com

www.latimes.com

seattlepi.nwsources.com

www.denverpost.com

Interviews:
www.wnyc.org (audio: available in MP3 or podcast format)

www.will.uiuc.edu (audio)

www.businessweek.com (audio: also available from iTunes)

www.businessweek.com (print format q & a)

www.powells.com (print format q & a)

Excerpts from Made To Break:
www.thestar.com

www.hup.harvard.edu (PDF)

Translations of op-eds:
www.link.estadao.com.br

www.computadorusado.com

UPDATE:
Additional reviews:
Globe and Mail, Saturday, July 8. Reviewed by Heather Menzies, “In the throwaway culture, greed trumps need”

Made to Break

The nonfiction book that I’m reading right now is worth talking about well before I’m finished.

The book is Made to Break: Technology and Obsolescence in America by Giles Slade. The book is a history of consumerism and the factors that led American inventors and companies to deliberately create obsolence in consumer products. Ok maybe that doesn’t sound like simulating reading but it really is.

The book opens with the shocking numbers of computers and cell phones that are discarded annually. For example, “in 2005 more than 100 million cell phones were discarded in the United States.” That’s 50,000 tons of still-usable equipment. The compact design of cell phones means that it is easier to throw them away than disassemble them, recycle them, and make new ones. All those phones, added to the number of discarded PCs, then the number of TVs are equal to a toxic time bomb according to Slade. “We do not have enough landfills to store and then ignore America’s growing pile of electronic trash.”

Good heavens.

The big scary numbers in the introduction captured my attention, but the real grabbers were in the upcoming chapters on what led to today’s present toxic state, all of which are a contributing factor to the climate crisis Al Gore talks about in the movie An Inconvenient Truth.

Basically mass production is one of our great problems. In the late 19th-centry when the economy changed from man-powered to machine-driven, company bosses stayed up at night worrying about that fact that they could over produce more goods than could be readily consumed. Rather than reducing production, they came up with ways to get people to consume more.

Slade gives a brief history of crackers–once sold in a barrel and then individually packaged and “branded” with guaranteed freshness–of King Camp Gillette and his invention of disposable razors, and other crazy stories.

It’s fascinating to think about the origins of branding and packaging, how clever we were at creating repetitive demand, how we sat around dreaming up ways to encourage disposability of things–some of which I greatly appreciate like sanitary pads and tampons, bathroom tissue and bandaids but also of consumer electronics, automobiles and clothes.

Slade talks about the anti-thrift campaigns during and after the First World War, during the Depression, and after the Second World War, and how entrenched that thinking is today. He talks about the history of the automobile and the creation of the annual model change–change for style sake vs. change for improvement. The Academy Awards make an appearance in the story as an example of a marketing strategy to encourage repetitive consumption. The movie industry’s own version of the annual model change, as was the New York Times‘ establishment of the bestseller list for books.

Slade’s story involves a lot of name dropping, but I love it. He’s got the history of autos and why we started painting them different colours, the history of light bulbs, the history of crackers (the National Biscuit Company, which we know as Nabisco), and the history of the radio and why RCA was adamently against FM radio (it was seen as a direct competitor to TV, which was not yet being marketed).

Made to Break is a wild read, and I’m only a third of the way through.

Anansi Boys Tops My Charts

I just finished reading Neil Gaiman’s Anansi Boys and it is my favourite book of 2006. I know there’s still a lot of the year left but honestly I can’t imagine what its contenders could do to knock it from the top of my charts.

Anansi Boys is about two brothers: Fat Charlie Nancy and Spider Nancy. Fat Charlie is totally embarrassed by his father, who seems to be a free-wheeling, lady charmer. Fat Charlie puts a whole ocean between himself and dad. He moves to London and is engaged to Rosie. Rosie finds out that he has a father and wants him invited to the wedding. Fat Charlie has no contact info for his dad so he has to call up a long-time neighbour, Callyanne Higgler. Turns out dad is dead and Charlie needs to come home to Florida for the funeral. While he and Higgler are cleaning out dad’s house, she mentions that Charlie has a brother and if he wants to talk to him he only needs to speak to a spider. Ya right.

For very funny, drunken reasons Charlie does happen to be talking to a garden spider and says hey if you see my brother tell him to drop by. Indeed the next day Spider appears and quite quickly gets Charlie in bed with another woman, gets him investigated by the police for fraud, steals his girlfriend, and has him making deals with the bird woman.

Turns out dad is a god and Spider has god-like qualities too. They each are A Nancy. Fat Charlie is a nancy in the British sense of the word. Dad is Anansi the Spider of the African/Caribbean folktales. Spider is a spin-off (ha ha ha). Anyway, this novel is magical the way that The Time Traveler’s Wife or Our Lady of the Lost and Found is magical. The magic and fantasy are part of the story, but the writing is not what people typically imagine when they think “fantasty writing”.

The Time Traveler’s Wife and Our Lady of the Lost and Found were previous years’ top favourites so I’m now starting to see a trend with my own reading that I never saw before. Thank you blog.

In short, if you have not read Neil Gaiman or The Anansi Boys, get out and read this book. It’s beyond fantastic.

Amazon.ca has an excerpt of the first chapter if you need to peruse of the writing. And here’s the Wikipedia entry for Anansi in case you’ve never heard of the west African trickster Anansi.

Mark Haddon and His Curious Book Design

Over at Book Lust I read a post that Patricia did for Drawn.ca on Mark Haddon book design, in particular his multiple designs for The Curious Incident of the Dog in the Night-Time, which I enjoyed very much.

Today I was in Duthie Books and spotted on the counter a copy of Hadden’s poetry collection. What you can’t tell from the cover image on Amazon is that there is a scroll wheel on the side and you can turn it to reveal little images and the book title in the cutout windows. Unlike The Curious Incident of the Dog in the Night-Time, this book cover is not designed by Haddon, but it is beautiful nonetheless. Congratulations to designer Peter Mendelsund.

The design shows this is clearly book as objet d’art. I fell for it immediately.

There are very few poetry books I’ve ever bought but the ones I have are all little pieces of art.

Anosh Irani’s Bombay

Anosh Irani and Sheryl MacKayThis afternoon I attended a recording for the CBC Studio One Book Club. The guest author this week was Anosh Irani [seen in the photo with Sheryl MacKay in CBC Studio One]. Anosh published his first novel with Raincoast Books, The Cripple and His Talismans.

I was completely hooked on his writing the first time I read the novel, then I happened to get tickets to his play The Matka King, which was put on by the Arts Club Theatre in Vancouver. What impresses me about Anosh is his ear for dialogue. The dialogue in his novels is especially engaging. It is witty and sarcastic and there’s a beautiful flow between the narrative and the dialogue. It’s not like some books where the dialogue seems completely structured.

Reading The Cripple and HIs Talismans was like reading an Indian Gabriel Garcia Marquez. A sense of doom hangs in the story, but it is mixed with strangely magical moments. There are passages in the book that are still vivid in my imagination. Magical realism from Bombay.

Anosh mentioned in the book club today that his new book is more realistic whereas The Cripple was more surreal. In an interview with John Burns in The Georgia Straight Anosh said that he’s looking to create a series of stories about Bombay that each reveal a different side to the city.

It was certainly clear today listening to Anosh speak about his childhood, his parents, moving to Vancouver and his writing, that there are many more stories to come. This is one author who is definitely on my radar. His new play, Bombay Black, is being produced in Toronto by Cahoots Theatre. If you have the chance to go, please let me know how it is. I’m hoping that the Arts Club puts it on here in Vancouver.

More about Anosh Irani’s The Song of Kahunsha
The Song of Kahunsha is set in Bombay in 1993 at the time of the violent clashes between the Muslims and Hindus. Ten-year-old Chamdi has left his orphanage for the streets of Bombay. He’s searching for his long-lost father and has no hope in hell of finding him, yet he is a boy filled with hope. The novel is his struggle with his new friendships, the enemies on the street and his own dreams. You can read the reviews and descriptions on Amazon.ca.

Also check out The Cripple and His Talismans. A fantastic read. And if you find it in hardcover, the design is beautiful. It is red cloth over board with embossed symbols on the cover.

More about CBC Studio One Book Club
Always enjoyable to see how the radio works. You can be an audience member by entering the CBC online contests to win a seat. Usually you have to write a snippet on why you want to attend. May 7 is David Suzuki. Watch for details on http://www.cbc.ca/bc/bookclub/. The book club is hosted by Sheryl MacKay of CBC Radio and John Burns of the Georgia Straight, and is recorded for broadcast on North by Northwest and other CBC Radio programs. Anosh’s recording should be on next weekend.

Book Review of Kiffe Kiffe Tomorrow

I just finished reading an advance copy of Kiffe Kiffe Tomorrow. It is by Faiza Guene, a child of Algerian immigrants, who grew up in the public housing projects of Pantin, outside Paris. This is her first book and I believe she wrote it as a teenager, she’s now in university.

Kiffe Kiffe Tomorrow was originally published in French and this is the translated version. There are a couple of references to North American TV that I hope are the author’s original references and not the translator’s attempt to Americanize it for a US audience. That aside, Kiffe Kiffe Tomorrow is a brilliant insight into the teenage mind, the mind of a girl who is bullied because of her not-right, bargain sale clothes, her learning skills, and her poverty. This isn’t just the story of an immigrant experience in the Paris projects, it’s the story of growing up and the displaced teenage years. I particularly enjoyed the Paris references though. The current student protests and the riots last summer make a little more sense to me–the volatility, the insecurity, the pressure of those on the fringe.

Laila Lalami of MoorishGirl.com reviewed it and said, “moving and irreverent, sad and funny, full of rage and intelligence. Her voice is fresh, and her book a delight.”

Here’s an excerpted quote from Amazon.ca
He thought I’d forged my mom’s name on the slip. How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn’t even think about what he was saying, didn’t even ask himself why her signature might be weird. He’s one of those people who think illiteracy is like AIDS. It only exists in Africa.
–from Kiffe Kiffe Tomorrow

I really like the cover of this book, check it out on Amazon.ca.

Beyond the Wardrobe: A review of My Mother’s Wedding Dress

If you like memoir, fashion and storytelling written like fiction, then you’ll enjoy reading Justine Picardie’s My Mother’s Wedding Dress. I received an advance copy through the Harper Collins First Look program. I was pressed to read the book quickly because I needed to get my review in by March 1 in order to remain in the program. I had about 3 weeks to read, which really wasn’t enough time for me considering I had other books on the go. Nevertheless, I came in under the wire and below is the review I submitted:

Quote: My Mother’s Wedding Dress opens with the fantastic story of a black mohair cocktail dress–a strange choice for a wedding dress, nonetheless, Picardie makes it seem like a perfectly natural choice given the circumstances. Picardie quickly sets the stage, filling the reader in on her family’s heritage, their immigrant experiences, and like a giant quilt–with short story fabric swatches from past dresses, uniforms and trousers–Picardie pulls together a beautiful and rich memoir.

Each chapter could easily stand on its own as a compact narrative of the memories that spin off from a single article of clothing. But together the pieces form a splendid and diverse wardrobe of remembrance.

I enjoyed this book very much. I think the cover is stylish and is certainly what drew me to the book in the first place. As far as book clubs, yes, if you have a predominantly female book club, this would be a good pick. There are many, many things to discuss: going to a new school, having grandparents from another country, sisters, fashion choices, cancer, politics and friendship. It’s good for a range of generations too. I’m 30 but I know my 40-50 something friends will enjoy the book. And my 20 something friends who read fiction and wouldn’t think of reading memoir would certainly like this book.

The book is out next month (March). And I recommend it as a good springtime read. Like plastic trousers and velvet vests, sometimes an impulse buy works out perfectly.

Amazon.ca
Indigo.ca

Book Review of Daniel Isn’t Talking

Daniel Isn't TalkingI’ve just finished reading Daniel Isn’t Talking by Marti Leimbach. There are lots of funny moments, educational moments, which I also enjoyed, and some craziness. I was initially quite skeptical about this book. The title is great, the cover is great (different cover on Amazon.ca–the version here, which I prefer, is the advance copy so we’ll have to wait to see the final one). I was skeptical because I seem to have encountered a lot of autism books lately. Each was fantastically well written and interesting.

Not Even Wrong by Paul Collins. A engaging portrait of his autistic son.

Animals in Translation by Temple Grandin. Temple is autistic and (I think) has a PhD in animal science. The book is how to use autism to understand animal behaviour.

The Curious Incident of the Dog in the Night-time by Mark Haddon. A very funny novel about an autistic boy trying to solve the mystery of a murdered dog.

I was skeptical because I did not think Daniel Isn’t Talking was going to stand up to these titles. It does and doesn’t. Daniel Isn’t Talking is well written and by the midway point I did appreciate the characters, but at the beginning I just thought why am I reading about this crazy mother. And she stayed crazy through the book.

I didn’t like Melanie Marsh, Daniel’s mother. She is insecure, over protective of her children, in need of more than a little therapy, and she is driven to further madness when her son is diagnosed with autism. It is at the point of diagnosis where my sentiments about Melanie shifted slightly. She struggles and fights for her son, and I appreciated her tenacity and strength. She doesn’t take the “this is how things are going to be” diagnosis. She looks for alternative ways to help Daniel along. I still found her annoyingly insecure. I like strong willed characters. Her daughter Emily was my favourite character, as were Daniel and Andy (the Irish fellow Melanie eventually hires to help Daniel).

Overall, here’s my plug for the book:
Daniel Isn’t Talking is a comic, yet serious novel. It is as funny as Three Men and a Baby, but as serious as a self-help workbook. Melanie Marsh finds herself as an American in London with a stuck up, absent husband, a genius daughter and a recently diagnosed autistic son. Daniel Isn’t Talking is about stray nappies, misguided families, and the British stiff upper lip. It is also about a boy clearing his own path through life, and his mother’s struggle to show him the way.

Daniel Isn’t Talking should be in stores in April. As part of the McClelland and Stewart 100 Readers Club, I got to read the advance copy.

The 100-Mile Diet: A Year of Local Eating

CBC has reported a couple of times on a Vancouver couple who are observing a special diet that restricts them to eating foods that are grown and produced within a hundred mile radius of their home. The authors Alisa Smith and J.B. MacKinnon are actually writing a series of articles for The Tyee. The diet is really less about dieting than about the politics of food, recognizing where things are grown, the amount of fuel used to transport food, and our disassociation with the food production process.

Quill and Quire reported today that Random House Canada has acquired the rights to publish The 100-Mile Diet: A Year of Local Eating. It will be interesting to see whether two authors interested in their ecological footprint will be able to ensure the book is printed on 100% post-consumer, recycled paper, vegetable-based ink, non-bleached paper, etc. I certainly hope so because the good work they did decreasing their consumption of foods requiring long-distance transport (fossil fuels) might be quickly undone by the rather environmentally heavy act of publishing thousands of copies of a book using virgin paper (paper from trees as opposed to paper two or three times removed from the original tree).

Random House has signed on with Markets Initiative and I hope that means the book will be as eco-friendly as the diet. Watch for the book in Spring 2007.

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