Plain words, uncommon sense

Month: August 2024

The Double Life of Benson Yu by Kevin Chong | Book Review

The Double Life of Benson Yu by Kevin Chong is a layered and thought-provoking novel that blends reality and imagination, fiction and autobiography. The story follows Benson Yu, a comic book artist who is grappling with the trauma of his past. As he begins to write a more serious autobiographical work, the lines between his life and his comic book creations start to blur. The narrative toggles between Benson’s present-day struggles and the fictionalized account of his younger self, which reveals painful truths he’s tried to bury.

The novel explores themes of identity, memory, and the ways in which we try to rewrite our own stories. I recently saw Kevin Chong present at the Sechelt Festival of Writers and he described it as a story about storytelling. And that’s 100% true. The novel is about how the past can haunt the present and the cathartic power of storytelling.

Chong’s writing is vivid yet introspective. The chapters focus on different perspectives and that forces the reader to question the boundaries between author and character, reality and fiction.

If you enjoy novels that challenge narrative conventions and explore complex emotional landscapes, The Double Life of Benson Yu is a compelling read. It’s reminiscent of works like Paul Auster’s The New York Trilogy or Kazuo Ishiguro’s The Unconsoled in its blending of the real and the surreal.

I really enjoyed listening to the audiobook but given the complexity of the story narration, it may have been a better read vs. listen. But Eric Yang is a great reader so the audiobook offered a lot too. It was also fun to hear author Kevin Chong talk about his writing process and how the ideas for this book came together. He’s not a planner, but instead starts writing and lets the ideas and problems/solutions present themselves. I found that intriguing and can see why it works for him.

A Slow Fire Burning by Paula Hawkins | Book Review

You’ve probably hear of the bestseller The Girl on the Train? This is Paula Hawkin’s latest, A Slow Fire Burning, and it is equally entertaining with its various twists and turns.

Laura is a hot-tempered, troubled loner who ends up in the wrong place at the wrong time. Her typical refrain is, “it wasn’t my fault.” But maybe people hear that too often? They want Laura to accept responsibility. At the same time, they disregard that she has a brain injury due to a childhood incident where she was hit by a car. Unfortunately for Laura, she was last seen with Daniel Sutherland. Now he’s turned up dead.

Miriam recognizes Laura is troubled. It takes trouble to know trouble. Miriam is the first to report Daniel’s death but she hides evidence and isn’t truthful with the police. Miriam knows Daniel’s uncle Theo, whose runaway thriller is actually based on her teenage years. Miriam has tried to bring legal action against Theo but he’s got money, and she doesn’t.

Carla is Theo’s wife, Daniel’s aunt. And she has been grief stricken for 18 years. Her 3 year old son Ben was being minded by Angela (Carla’s sister), and he fell to his death. Angela’s son Daniel was young at the time but whether it was his alcoholic mother or witnessing his cousin’s death, Daniel has always been a handful. Carla has secretly stayed in touch with Daniel.

Irene is Angela’s former neighbour. Turns out Angela died in a freak accident shortly before Daniel. But the police have ruled that death an accident. Also turns out, Laura befriended Irene on the day Angela died. Mm. So many layers.

A Slow Fire Burning is a great muddle of a mystery with revenge, heartbreak, and secrets galore. Great for fans of Little Fires Everywhere and other family dramas, psychological thrillers.

The Lost Book of Bonn by Brianna Labuskes | Book Review

The Lost Book of Bonn is perfect for fans of Kate Quinn’s The Rose Code. It’s a story of bravery and resistance in the face of injustice.

The novel is set in Germany, 1946, with flashbacks to the 1930s and early years of the 1940s. Our protagnoist, Librarian Emily Clarke has just arrived in Bonn. She is there at the request of the U.S. Library of Congress, which is cataloguing and acquiring books plundered by the Nazis. There are divisions in the massive depot where Emily works that are dedicated to determining if personal connections can be identified and returned to surviving family members, others that bring Jewish literature to refugees, and Emmy’s branch which takes key works stolen by high-ranking Nazis and assesses if they can be returned to their rightful owners or are available to be acquired by the Library of Congress and shipped to the U.S.

The background story is about how the Nazis tried to re-write history by stealing and destroying books and art, or by hiding and examining those works as a way to position themselves as superior. The story at the forefront is Emmy’s search to find the owner of a poetry collection by Rainer Maria Rilke that has a beautiful handwritten dedication of love on the title page: “My dearest Annelise, my brave Edelwiess Pirate.” Emmy is keen to find Annelise and her lover Eitan. Interwoven into that story is the love story of Annalise and Eitan. The chapters move between Emmy’s present day (1946) and that of Annalise and her sister Christina (1936 to 1943).

This is a quick read, an intriguing story, and a timely reminder that the consequences of war are felt well beyond the dates of the conflict.

The Lost Book of Bonn by Brianna Labuskes is published by HarperCollins Canada.

Homecoming by Kate Morton | Book Review

Homecoming by Kate Morton is a chilling novel about the mysterious death of a young Australian family on Christmas Eve, 1959. It’s literary fiction written in a true-crime style.

2018: Jess Turner is a struggling journalist who’s making ends meet in London when she is called back to Australia, where her beloved grandmother Nora has been hospitalized after a fall. Nora practically raised Jess after her mother Polly moved from Sydney to Brisbane without her. As Jess struggles to figure out what happened to Nora, to get Nora’s affairs in order, to deal with her estranged mother, she discovers her family’s connection to the brutal Turner Family Tragedy of 1959. As an investigative journalist, Jess is intrigued. As the connection to Nora and Polly becomes clearer, she is alarmed.

Christmas Eve 1959: Percy Summers stumbles across the sleeping bodies of Isabel Turner (English wife of a respected Australian businessman) and her three children (Matilda, John, and Evie). He does not realize that baby Thea is not present. The family is spread out on a picnic blanket under a walnut tree near a water hole, as if they were sleeping. It’s been a hot Australian day and storms and bushfires are on everyone’s mind. But all of their attention quickly focuses on finding baby Thea and figuring out if there is a murderer among them. What unfolds is an unusual story of small village dramas, love lost, and alliances formed.

Homecoming spans three generations and offers glimpses at the spellbinding nature of a family tragedy. It’s also a look at loneliness and how home is more than a place.

Home, she’d realized, wasn’t a place or a time or a person, though it could be any and all of those things: home was a feeling, a sense of being complete. The opposite of “home” wasn’t “away,” it was “lonely.” When someone said, “I want to go home,” what they really meant was that they didn’t want to feel lonely anymore.

In the acknowledgments, Kate Morton relays that the first ideas for Homecoming came to her in the Adelaide Hills, her family’s refuge during the “great unsettlement at the start of the Covid pandemic.” Instead of the hustle and bustle of London, they found themselves removed to a remote farm in South Australia. The uncertainty and loneliness of those early pandemic days must have informed the sentiments of Isabel Turner, displaced from London to a small Australian village, of Polly who never knew who her father was, of Jess, drawn to London and a busy career but never really belonging to either London or Sydney.

Homecoming is lovely and unsettling, beautiful and tragic. I really enjoyed this read.

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