The Vancouver Artsclub is playing Margaret Atwood’s The Penelopiad until November 20 at the Stanley theatre and I just happen to have finished reading the book.
The Play
The Book
Published in 2006 as part of the Myths series, Atwood provides a contemporary take on one of the most enduring stories of all time, Homer’s The Odyssey. In Homer’s tale, Penelope is the ever constant, faithful wife who dutifully tends to her husband’s empire without compromise to his finances or her fidelity despite hearing tale after tale from passing travellers recounting Odysseus’ great triumphs and tribulations in the war against Troy and his own yearnings for love in the arms of beautiful goddesses. I mean, really, did she just stand by for 20 years spinning a bit of yarn?
In Atwood’s version, Penelope is more than just the long-suffering wife of the hero. She is a very clever woman who makes 1 fatal mistake that costs her the lives of 12 obedient maids.
I love Atwood’s academic and philosophical answers to the elements of The Odyssey that went unquestioned in my literature classes. The Penelopiad begins with two questions: what led to the hanging of the maids, and what was Penelope really up to? I did wonder.
I also love the contemporary twist of the maids presenting evidence through song and dance, as if they were on Glee, the video trial, and Penelope checking out the contemporary world via spiritual mediums and commenting on the similarities or differences to her time.
Penelope may have been as clever as Helen was beautiful, but Margaret Atwood stands in a class of her own at the top of the clever charts.